货车司机刘志广雨天疲劳驾车撞死行人吴宝琪，公司领导暗示刘志广回避疲劳驾驶问题，但刘志广坦承自己确属疲劳驾驶。保险公司拒绝赔偿，刘志广自己四处借钱赔偿。这次事故令刘家一贫如洗，重病在床的刘妻因不愿拖累家里而拒绝治疗最终身亡。在刘妻的葬礼上，吴宝琪的妻子张丽茹告诉刘志广车祸缘起自杀。张丽茹坚持要把钱还给刘志广，却遇到婆婆和小姑子的阻挠，只得把部分赔偿款还给刘志广，同时打了三十万的欠条。为谋生计，张丽茹到老同学常家宽家做保姆，常家宽追求张丽茹，和发妻李亦兰离婚。刘志广也在不知情的情况下被张丽茹推荐做了常家的司机，二人因此频繁往来，逐渐成为朋友。但刘志广却渐渐发现常家宽才是吴宝琪之死的幕后黑手，最终，常家宽自首认罪。常家宽出狱后，在刘志广的撮合下和李亦兰复婚，张丽茹与刘志广订婚，恩怨最终化解。

货车司机刘志广雨天疲劳驾车撞死行人吴宝琪，公司领导暗示刘志广回避疲劳驾驶问题，但刘志广坦承自己确属疲劳驾驶。保险公司拒绝赔偿，刘志广自己四处借钱赔偿。这次事故令刘家一贫如洗，重病在床的刘妻因不愿拖累家里而拒绝治疗最终身亡。在刘妻的葬礼上，吴宝琪的妻子张丽茹告诉刘志广车祸缘起自杀。张丽茹坚持要把钱还给刘志广，却遇到婆婆和小姑子的阻挠，只得把部分赔偿款还给刘志广，同时打了三十万的欠条。为谋生计，张丽茹到老同学常家宽家做保姆，常家宽追求张丽茹，和发妻李亦兰离婚。刘志广也在不知情的情况下被张丽茹推荐做了常家的司机，二人因此频繁往来，逐渐成为朋友。但刘志广却渐渐发现常家宽才是吴宝琪之死的幕后黑手，最终，常家宽自首认罪。常家宽出狱后，在刘志广的撮合下和李亦兰复婚，张丽茹与刘志广订婚，恩怨最终化解。

故事发生在九十年代的吉林。白花子、崔福顺（谢兰 饰）和黄英姬是在同一间银行里工作的同事。一天，银行里来了劫匪抢劫，为了保护人民的财产，三人挺身而出，最终使得劫匪被捉拿归案，但也付出的沉重的代价。 　　白花子被劫匪残忍的杀害，黄英姬身受重伤昏迷不醒，崔福顺也受伤了。白花子死了，留下小女儿金红莲和父亲相依为命，没过多久，金红莲的父亲也一命呜呼，崔福顺果断的收养了变成孤儿的金红莲。崔福顺自己也有孩子，而且家庭经济条件并不好，但她还是坚持送金红莲上幼儿园，接受教育，倾注血汗将她健康的抚养长大。

货车司机刘志广雨天疲劳驾车撞死行人吴宝琪，公司领导暗示刘志广回避疲劳驾驶问题，但刘志广坦承自己确属疲劳驾驶。保险公司拒绝赔偿，刘志广自己四处借钱赔偿。这次事故令刘家一贫如洗，重病在床的刘妻因不愿拖累家里而拒绝治疗最终身亡。在刘妻的葬礼上，吴宝琪的妻子张丽茹告诉刘志广车祸缘起自杀。张丽茹坚持要把钱还给刘志广，却遇到婆婆和小姑子的阻挠，只得把部分赔偿款还给刘志广，同时打了三十万的欠条。为谋生计，张丽茹到老同学常家宽家做保姆，常家宽追求张丽茹，和发妻李亦兰离婚。刘志广也在不知情的情况下被张丽茹推荐做了常家的司机，二人因此频繁往来，逐渐成为朋友。但刘志广却渐渐发现常家宽才是吴宝琪之死的幕后黑手，最终，常家宽自首认罪。常家宽出狱后，在刘志广的撮合下和李亦兰复婚，张丽茹与刘志广订婚，恩怨最终化解。

货车司机刘志广雨天疲劳驾车撞死行人吴宝琪，公司领导暗示刘志广回避疲劳驾驶问题，但刘志广坦承自己确属疲劳驾驶。保险公司拒绝赔偿，刘志广自己四处借钱赔偿。这次事故令刘家一贫如洗，重病在床的刘妻因不愿拖累家里而拒绝治疗最终身亡。在刘妻的葬礼上，吴宝琪的妻子张丽茹告诉刘志广车祸缘起自杀。张丽茹坚持要把钱还给刘志广，却遇到婆婆和小姑子的阻挠，只得把部分赔偿款还给刘志广，同时打了三十万的欠条。为谋生计，张丽茹到老同学常家宽家做保姆，常家宽追求张丽茹，和发妻李亦兰离婚。刘志广也在不知情的情况下被张丽茹推荐做了常家的司机，二人因此频繁往来，逐渐成为朋友。但刘志广却渐渐发现常家宽才是吴宝琪之死的幕后黑手，最终，常家宽自首认罪。常家宽出狱后，在刘志广的撮合下和李亦兰复婚，张丽茹与刘志广订婚，恩怨最终化解。

1920年代初期，彼得格勒动荡不安，政权垮台，犯罪猖獗。鲍里斯·莱图什正在调查他的律师兄弟的谋杀案。强盗里昂卡·潘捷列夫作为嫌疑人被逮捕关押。潘捷列夫曾是一名安全官员，而他不为人知的真实身份是刑事调查部门的秘密特工。刑事调查负责人马特维耶夫建议潘捷列夫在狱中自杀。莱图什则遵循法律，认为必须先证明嫌疑人有罪。然而，潘捷列夫的越狱打破了这场争端。究竟是谁策划了这次逃亡，他的目的又是什么？

A District Collector in India deals with water shortage problems in a village when she comes to realize that people are suffering a lot.

Gang of Four 　　Episode 1 of 4 　　Duration: 1 hour 　　Art writer Waldemar Januszczak explores the revolutionary achievements of the Impressionists. In the first episode, Waldemar delves into the back stories of four of the most influential Impressionists - Pissarro, Monet, Renoir and Bazille - who together laid the foundations of the artistic movement. He finds out what social and cultural influences drove them to their style of painting, how they were united and how ultimately they challenged and changed art forever. 　　Waldemar journeys from the shores of the West Indies, to the progressive city of Paris to the suburbs of South London, where these four artists drew inspiration from the cities and towns in which they lived. Whether it be the infamous spot on the river Seine - La Grenouillere - where Monet and Renoir beautifully captured animated people, iridescent light and undulating water or the minimalist, non-sensationalised illustrations of Pissarro's coarse countryside paintings, Waldemar discovers how the Impressionists broke conventions by depicting every day encounters within the unpredictable and ever changing sights around them. 　　------ 　　Painting outdoors 　　Episode 2 of 4 　　Duration: 1 hour 　　Waldemar Januszczak continues his investigation of the Impressionists by taking us outdoors to their most famous locations. Although Impressionist pictures often look sunny and relaxed, achieving this peaceful air was hard work. Trudging through fog, wind and rain, across treacherous coastal rocks and knee-deep snow, Waldemar shows how the famous spontaneity of the Impressionists is thoroughly misleading. 　　This episode visits the French riverside locations that Monet loved to paint, and where Renoir captured the bonhomie of modern life. Waldemar also introduces a number of technical and practical developments of the age which completely revolutionised Impressionist painting - the invention of portable easels; the use of hog's hair in paint brushes; as well as the introduction of the railway through France. And a scientific demonstration in a Swedish snowdrift explains just how right the Impressionists were to paint brightly coloured shadows in their winter scenes, despite being accused of 'hallucinating' at the time. 　　Finally, Januszczak explains Cezanne's part in the Impressionist story from his dark and challenging early work to his first rural landscapes in France, and then his departure from Paris and separation from the Impressionist gang. 　　------ 　　Painting the People 　　Episode 3 of 4 　　Duration: 1 hour 　　Waldemar Januszczak continues his investigation of the Impressionists, focusing this time on the people they painted and in particular the subjects of Degas, Caillebotte and the often forgotten Impressionist women artists. The Impressionists are famous for painting landscape but they were just as determined to paint people. 　　Looking closely at one of Impressionism's finest painters, Edgar Degas, Waldemar reveals how he consistently challenged traditions and strove to record real life as it appeared in the city, from sculpting the contorted movements of horses in motion at the Longchamp race course in Paris to encapsulating extravagant 3D viewpoints of the ballet dancers at the Paris Opera. 　　Waldemar also uncovers the intoxicating haziness the pastel produced in Degas' work when visiting his supplier Pastels de Roche. He also reveals the unusual viewpoints and dramatic perspectives of Caillebotte's paintings from the Place de L'Europe and the rebellious and revolutionary art of Morisot, Bracquemond and Cassatt, three impressive female artists who were eagerly embraced by the progressive movement of Impressionism 　　------ 　　Final Flourish 　　Episode 4 of 4 　　Duration: 1 hour 　　This episode takes a closer look at the late years of Impressionism, using the last show these artists did together as a starting point. 　　Waldemar looks in considerable depth at the work of Georges Seurat, taking into consideration his academic training at the Beaux-Arts School in Paris and the artists that influenced him, such as Piero della Francesca and Puvis de Chavannes. 　　There is also an insight into the complex but fascinating world of optics and art, and the ways in which the Impressionists were using the new discoveries in light and eyesight to influence their work. A fascinating 'after-image' experiment brings to life the ways in which our own eyes see colour, both in its presence and its absence. 　　Van Gogh's time in Paris, a period very little is known about, is also covered, charting the incredible journey the artist made from his brown and dull canvases to the splendid colour and light that pervaded his work on the cusp of his departure for the South of France. 　　The film finishes with a revisiting of Monet and his later waterlily paintings in the Orangerie in Paris. Waldemar investigates how a bad case of cataracts was responsible for a seismic shift in his colour palette and his brushstrokes. Spending time with an ophthalmologist, he finds out how old age and a fairly common ailment of the eyes caused Impressionism to shift and become radical again at the turn of the century and into the 20th century

Gang of Four 　　Episode 1 of 4 　　Duration: 1 hour 　　Art writer Waldemar Januszczak explores the revolutionary achievements of the Impressionists. In the first episode, Waldemar delves into the back stories of four of the most influential Impressionists - Pissarro, Monet, Renoir and Bazille - who together laid the foundations of the artistic movement. He finds out what social and cultural influences drove them to their style of painting, how they were united and how ultimately they challenged and changed art forever. 　　Waldemar journeys from the shores of the West Indies, to the progressive city of Paris to the suburbs of South London, where these four artists drew inspiration from the cities and towns in which they lived. Whether it be the infamous spot on the river Seine - La Grenouillere - where Monet and Renoir beautifully captured animated people, iridescent light and undulating water or the minimalist, non-sensationalised illustrations of Pissarro's coarse countryside paintings, Waldemar discovers how the Impressionists broke conventions by depicting every day encounters within the unpredictable and ever changing sights around them. 　　------ 　　Painting outdoors 　　Episode 2 of 4 　　Duration: 1 hour 　　Waldemar Januszczak continues his investigation of the Impressionists by taking us outdoors to their most famous locations. Although Impressionist pictures often look sunny and relaxed, achieving this peaceful air was hard work. Trudging through fog, wind and rain, across treacherous coastal rocks and knee-deep snow, Waldemar shows how the famous spontaneity of the Impressionists is thoroughly misleading. 　　This episode visits the French riverside locations that Monet loved to paint, and where Renoir captured the bonhomie of modern life. Waldemar also introduces a number of technical and practical developments of the age which completely revolutionised Impressionist painting - the invention of portable easels; the use of hog's hair in paint brushes; as well as the introduction of the railway through France. And a scientific demonstration in a Swedish snowdrift explains just how right the Impressionists were to paint brightly coloured shadows in their winter scenes, despite being accused of 'hallucinating' at the time. 　　Finally, Januszczak explains Cezanne's part in the Impressionist story from his dark and challenging early work to his first rural landscapes in France, and then his departure from Paris and separation from the Impressionist gang. 　　------ 　　Painting the People 　　Episode 3 of 4 　　Duration: 1 hour 　　Waldemar Januszczak continues his investigation of the Impressionists, focusing this time on the people they painted and in particular the subjects of Degas, Caillebotte and the often forgotten Impressionist women artists. The Impressionists are famous for painting landscape but they were just as determined to paint people. 　　Looking closely at one of Impressionism's finest painters, Edgar Degas, Waldemar reveals how he consistently challenged traditions and strove to record real life as it appeared in the city, from sculpting the contorted movements of horses in motion at the Longchamp race course in Paris to encapsulating extravagant 3D viewpoints of the ballet dancers at the Paris Opera. 　　Waldemar also uncovers the intoxicating haziness the pastel produced in Degas' work when visiting his supplier Pastels de Roche. He also reveals the unusual viewpoints and dramatic perspectives of Caillebotte's paintings from the Place de L'Europe and the rebellious and revolutionary art of Morisot, Bracquemond and Cassatt, three impressive female artists who were eagerly embraced by the progressive movement of Impressionism 　　------ 　　Final Flourish 　　Episode 4 of 4 　　Duration: 1 hour 　　This episode takes a closer look at the late years of Impressionism, using the last show these artists did together as a starting point. 　　Waldemar looks in considerable depth at the work of Georges Seurat, taking into consideration his academic training at the Beaux-Arts School in Paris and the artists that influenced him, such as Piero della Francesca and Puvis de Chavannes. 　　There is also an insight into the complex but fascinating world of optics and art, and the ways in which the Impressionists were using the new discoveries in light and eyesight to influence their work. A fascinating 'after-image' experiment brings to life the ways in which our own eyes see colour, both in its presence and its absence. 　　Van Gogh's time in Paris, a period very little is known about, is also covered, charting the incredible journey the artist made from his brown and dull canvases to the splendid colour and light that pervaded his work on the cusp of his departure for the South of France. 　　The film finishes with a revisiting of Monet and his later waterlily paintings in the Orangerie in Paris. Waldemar investigates how a bad case of cataracts was responsible for a seismic shift in his colour palette and his brushstrokes. Spending time with an ophthalmologist, he finds out how old age and a fairly common ailment of the eyes caused Impressionism to shift and become radical again at the turn of the century and into the 20th century

A petty criminal and gambler, befriends a man who performs inspections of meat plants. His assistant suspects wrongdoings at the slaughterhouse.